Today I would
like to share with you all a special story about someone who has opened my eyes to
new possibilities for dance. Rebecca Beayni, Anna Bruno, and Heryka Miranda have co-created a piece and are performing it for Dances of Offering this year.
I have had the pleasure of seeing the piece and I am eager to share a part of
it with you all. The piece is performed by Rebecca and Heryka, while Anna reads
aloud a poem that Rebecca wrote about her experience of life in a wheelchair.
The poem is entitled “I Can Dance” and I have included it in the blog below.
First, Heryka has shared with us some insight into how the piece was
choreographed:
“The
choreography from Rebecca's poem 'I Can Dance' comes purely from her
relationships with each of her dance partners. Together we co-create
a series of moments led by our collective impulses, intuition, wheelchair exploration and play. Each dance partner accompanying Rebecca
in sharing her poem has had to learn to be still, in order to connect
with her unique impulses that come through a breath, a gaze or
slow head movements or sharp subtle gestures. These co-creative
processes inspire themes, colours, moods, and of course, important
messages through the body, in the moment.”
Anna Bruno tells us more about the
poem to which the piece is performed to and how the poem was written:
“I Can Dance was written as a
piece for Rebecca to express the depth of experience and capacity living within
her that others on first glance often fail to see. As Rebecca communicates
mainly through expressions and the common knowledge that comes through deep
relationships, it was important that the poem really was a collaborative
effort. While it may have been recorded by one writer the phrases were a
collection of expressions, stories, and ideas shared by many people who know
Rebecca well. In drawing upon the perspectives of many, we are able to more
closely come to understand the complex, and unique individual that Rebecca is
and therefore better reflect this in creating a poem as she would have written.”
Rebecca Beayni and Anna Bruno |
And now, “I Can Dance” by Rebecca
Beayni:
Me dance?
Me?
Who, me?
Yes…
Freely, whirling, with grace
And a teacher too
Teacher of life
Teacher of joy
Spreading laughter in the midst of
Bombs clashing and words which strike us.
Advocate of strong will and continued hope.
I am a voice
Sometimes fun, silly
Sometimes certain, firm
Working for justice
Working for peace
A strong spirit, a woman of faith.
I live my faith
I dance it.
And I dance…
I dance for joy in life’s gifts
I dance in sorrow for friends lost
I am a friend
The bonds I make are rooted
Deep within.
These bonds weaving a web,
A network
A heart network.
I am a connector
Bringing people together
Bringing people to encounter
A way of just being
People transforming
Ideas
Bodies
Hearts
When I dance
Yes
I dance
I dance
Dance is often expected to involve expansive and dynamic
movement: an art form that by its very nature requires the use of the full
range of the body’s physical and expressive capability. Rebecca challenges this
definition by showing us all that dance can be so much more than that. Her
movement may be different than what is typically seen on dance stages, but it
is no less important, valuable, or beautiful. She demonstrates to us that
although our society has taken steps towards making the buildings around us
more accessible to people with physical disabilities, we still have a long way
to go before art is accessible to everyone. I am proud to be a part of a
community that is so accepting and open to new possibilities, and am grateful
to be able to share in this evening of education and enlightenment. This piece
has changed the way that I think about dance, and I hope that you all can
approach it with an open heart and mind and enjoy the beautiful gift that
Rebecca has shared with us.
To see Rebecca perform this beautiful piece, come see Dances of Offering on February 12th at the Betty Oliphant Theatre. Please visit http://www.dancesofoffering.myevent.com/ for event information and to buy tickets.
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